Robert Lee Frost (March 26, 1874 – January 29, 1963) was an American poet. His work was initially published in England before it was published in America. Known for his realistic depictions of rural life and his command of American colloquial speech,[2] Frost frequently wrote about settings from rural life in New England in the early twentieth century, using them to examine complex social and philosophical themes. Frost was honored frequently during his lifetime, receiving four Pulitzer Prizes for Poetry. He became one of America's rare "public literary figures, almost an artistic institution."[3] He was awarded the Congressional Gold Medal in 1960 for his poetic works. On July 22, 1961, Frost was named poet laureate of Vermont.
STOPPING BY WOODS ON A SNOWY EVENING
Area of NIU Campus |
Whose woods these are I think I know
His house is in the village though
His house is in the village though
He will not see me stopping here
To watch, his woods fill up with snow
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The dark evening of the year
He gives his harness bells a shake
To ask if there is some mistake
The only other sound’s the sweep
Of easy wind and downy flake
The woods are lovely, dark, and deep
But I have promises to keep
And miles to go before I sleep
And miles to go before I sleep
He is that fallen lance that lies as hurled
That lies unlifted now, come dew, come rust
But still lies pointed as it plowed the dust
If we who sight along it around the world
See nothing worthy to have been its mark
It is because like men we look too near
Forgetting that as fitted to the sphere
Our missiles always make too short an arc
They fall, they rip the grass, they intersect
The curve of earth, and striking, break their own
They make us cringe for metal-point on stone
But this we know, the obstacle that checked
And tripped the body, shot the spirit on
Further than target ever showed or shone
Design
I found a dimpled spider, fat, and white
On a white heal-all, holding up a moth
Like a white piece of rigid satin cloth
Assorted characters of death and blight
Mixed ready to begin the morning right
Like the ingredients of a witches’ broth
A snow-drop spider, a flower like a froth
And dead wings carried like a paper kite
What had that flower to do with being white
The wayside blue and innocent heal-all?
What brought the kindred spider to that height
Then steered the white moth thither in the right?
What but the design of darkness to appall?
If design governs in a thing so small.
Mending Wall
Something there is that doesn’t love a wall
That sends the frozen-ground-swell under it
And spills the upper boulders in the sun
And makes gaps even two can pass abreast
The work of hunters is another thing
I Have come after them and made repair
Where they have left not one stone on a stone
But they would have the rabbit it out of hiding
To please the yelping dogs. The gaps I mean
No one has seen them made or heard them made
But at spring mending-time we find them there
I let my neighbor know beyond the hill
And on a day we meet to walk the line
And set the wall between us once again
We keep the wall between us as we go
To each the boulders that have fallen to each
And some are loaves and some so nearly balls
We have to use a spell to make them balance
Stay where you are until our backs are turned!
We wear out fingers rough with handling them
Oh, just another kind of outdoor game
One on a side. It comes to little more
There where it is we do not need the wall
He is all pine and I am apple orchard
My apple trees will never get across
And eat the cones under his pines, I tell him
He only says, “Good fences make good neighbors’
Spring is the mischief in me, and I wonder
If I could put a nation in his head:
Why do they make good neighbors
Where there are cows?but here there are no cows
Before I built a wall I’d ask to know
What I was walling in or walling out
And to whom I was like to give offense
Something there is that doesn’t love a wall
That wants it down. ‘i could say “Elves” to him
But it’s not elves exactly, and I’d rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed
He moves in darkness as it seems to me
Not of woods only and the shade of trees
He will not go behind his father’s saying
And he likes having thought of it so well
H says again ‘Good fences make good neighbors’.
References
1. "Robert Frost". The Poetry Foundation. Retrieved 18 February 2015
2. "Robert Frost". Encyclopædia Britannica (Online ed.). 2008. Retrieved 2008-12-21.
3. Contemporary Literary Criticism. Ed. Jean C. Stine, Bridget Broderick, and Daniel G. Marowski. Vol. 26. Detroit: Gale Research, 1983. p110
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